{"id":9082,"date":"2020-04-08T12:08:08","date_gmt":"2020-04-08T16:08:08","guid":{"rendered":"https:\/\/www.arlekinplayers.com\/?p=9082"},"modified":"2020-09-08T13:28:54","modified_gmt":"2020-09-08T17:28:54","slug":"dead-mans-diary-the-artery","status":"publish","type":"post","link":"https:\/\/nashboston.com\/arlekinplayers\/dead-mans-diary-the-artery\/","title":{"rendered":"Dead Man&#8217;s Diary &#8211; the ARTery"},"content":{"rendered":"<h4>Below are some of our favorite excerpts from the ARTery&#8217;s review of <em>Dead Man&#8217;s Diary: A Theatrical Novel<\/em>. We thank them for their review, and we have provided a link below to read it in full.<\/h4>\n<p class=\"paragraph | gutter_20_0\">&#8220;[&#8230;] <span data-reactid=\"210\">Throughout the production, director Igor Golyak connects these occasionally disjointed scenes of Maksudov\u2019s active imagination, with a remarkably fluid sense of movement. His ensemble of 14 shifts easily in and out of focus, depending on whether they need to step forward as an individual or sink back into the crowd. Composer Jakov Jakoulov has created a soundscape that effortlessly mixes a bit of operatic \u201cFaust\u201d with the sound of typewriter keys, along with segments of eerie, emotional music and rhythmic sounds created by the actors. It all works perfectly as transitions and sets the appropriate tone. Nikolay Simonov\u2019s scenic design and Stephen Petrelli\u2019s lighting create a rich, atmospheric world that feels like we\u2019ve stepped into a film noir, full of mystery and possibility.<\/span>&#8220;<\/p>\n<p><img decoding=\"async\" width=\"200\" height=\"300\" class=\"size-medium wp-image-3983 alignleft\" src=\"https:\/\/www.arlekinplayers.com\/wp-content\/uploads\/2017\/03\/DSC_1690-200x300.jpg\" alt=\"Theatrical Novel rehearsal\" data-id=\"3983\" srcset=\"https:\/\/nashboston.com\/arlekinplayers\/wp-content\/uploads\/2017\/03\/DSC_1690-200x300.jpg 200w, https:\/\/nashboston.com\/arlekinplayers\/wp-content\/uploads\/2017\/03\/DSC_1690-768x1150.jpg 768w, https:\/\/nashboston.com\/arlekinplayers\/wp-content\/uploads\/2017\/03\/DSC_1690-684x1024.jpg 684w, https:\/\/nashboston.com\/arlekinplayers\/wp-content\/uploads\/2017\/03\/DSC_1690-958x1435.jpg 958w, https:\/\/nashboston.com\/arlekinplayers\/wp-content\/uploads\/2017\/03\/DSC_1690.jpg 1202w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4>Read more from <a href=\"https:\/\/www.wbur.org\/artery\/2018\/03\/20\/dead-mans-diary-review\">the ARTery&#8217;s coverage of Dead Man&#8217;s Diary here.<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Below are some of our favorite excerpts from the ARTery&#8217;s review of Dead Man&#8217;s Diary: A Theatrical Novel. We thank them for their review, and we have provided a link below to read it in full. &#8220;[&#8230;] Throughout the production, director Igor Golyak connects these occasionally disjointed scenes of Maksudov\u2019s active imagination, with a remarkably [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":3982,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ub_ctt_via":"","footnotes":""},"categories":[36],"tags":[],"class_list":["post-9082","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-room-reviews"],"featured_image_src":"https:\/\/nashboston.com\/arlekinplayers\/wp-content\/uploads\/2017\/03\/DSC_1670.jpg","author_info":{"display_name":"Mark Soucy","author_link":"https:\/\/nashboston.com\/arlekinplayers\/author\/markarlekinplayers-com\/"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dead Man&#039;s Diary - the ARTery<\/title>\n<meta name=\"description\" content=\"Below are some of our favorite excerpts from the ARTery&#039;s review of Dead Man&#039;s Diary: A Theatrical Novel. 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