{"id":14466,"date":"2024-12-02T23:15:27","date_gmt":"2024-12-03T04:15:27","guid":{"rendered":"https:\/\/www.arlekinplayers.com\/?p=14466"},"modified":"2024-12-02T23:19:08","modified_gmt":"2024-12-03T04:19:08","slug":"the-new-yorker","status":"publish","type":"post","link":"https:\/\/nashboston.com\/arlekinplayers\/the-new-yorker\/","title":{"rendered":"The New Yorker"},"content":{"rendered":"\n<p>\u201cThe frenetically inventive director, Igor Golyak, and his ensemble cast don\u2019t shrink from the historical atrocities they dramatize. The audience delivered\u00a0an impassioned\u00a0ovation.\u201d<\/p>\n\n\n<div style=\"gap: 20px;\" class=\"align-button-center ub-buttons orientation-button-row ub-flex-wrap wp-block-ub-button\" id=\"ub-button-cad84cdf-0924-4d44-8e62-2a88b0986229\"><div class=\"ub-button-container\">\n\t\t\t<a href=\"https:\/\/www.newyorker.com\/culture\/goings-on\/meredith-monk-finds-the-joy-and-the-necessity-of-the-collective\" target=\"_blank\" rel=\"noopener noreferrer  nofollow \" class=\"ub-button-block-main ub-button-medium   ub-button-flex-medium\" role=\"button\" style=\"--ub-button-background-color: #313131; --ub-button-color: #ffffff; --ub-button-border: none; --ub-button-hover-background-color: #313131; --ub-button-hover-color: #ffffff; --ub-button-hover-border: none; border-top-left-radius: 10px;; border-top-right-radius: 10px;; border-bottom-left-radius: 10px;; border-bottom-right-radius: 10px;; \">\n\t\t\t\t<div class=\"ub-button-content-holder\" style=\"flex-direction: row\">\n\t\t\t\t\t<span class=\"ub-button-block-btn\">FULL ARTICLE<\/span>\n\t\t\t\t<\/div>\n\t\t\t<\/a>\n\t\t<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The frenetically inventive director, Igor Golyak, and his ensemble cast don\u2019t shrink from the historical atrocities they dramatize. The audience delivered an impassioned ovation.<\/p>\n","protected":false},"author":1,"featured_media":14133,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ub_ctt_via":"","footnotes":""},"categories":[9,36,52],"tags":[],"class_list":["post-14466","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-news-room-reviews","category-our-class"],"featured_image_src":"https:\/\/nashboston.com\/arlekinplayers\/wp-content\/uploads\/2024\/04\/The-Cast-of-OUR-CLASS-3.jpg","author_info":{"display_name":"Yuliya","author_link":"https:\/\/nashboston.com\/arlekinplayers\/author\/yuliya\/"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The New Yorker<\/title>\n<meta name=\"description\" content=\"The frenetically inventive director, Igor Golyak, and his ensemble cast don\u2019t shrink from the historical atrocities they dramatize. 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